Category Archives: Louie’s Corner
Throughout the late 1960s and into the 1970s, many American films were becoming radically different in their approach. These new Hollywood films were beginning to explore darker subjects in more character driven films. During this cinematic renaissance of the 1970s, many mainstream American audiences began to develop a thirst for crime films that featured masculine heroes taking matters into their own hands. Of these new masculine, violent films were The French Connection and Dirty Harry. The white heroes that were in those films were strictly intended to satisfy the white audiences; however, the craving for these types of heroes was not limited to white audiences.
African American audiences of this time also wanted masculine heroes in their movies: “After years of watching elegant, well-spoken Sidney Poitier endure insults from racist white cops in films like In The Heat of the Night (1967), African Americans were ready to see someone respond to the cinematic police brutality and racial profiling of Jimmy “Popeye” Doyle and “Dirty” Harry Callahan” (Friedman 57). The need for such black heroes led to the emergence of a new film genre called Blaxploitation.
13 Hours: The Secret Soldiers of Benghazi, which is based on the Mitchell Zuckoff’s book 13 Hours: The Inside Account of What Really Happened in Benghazi, follows the tragic death of American Ambassador, Chris Stevens. Stevens was killed on September 11, 2012, during an attack at the United States Consulate in Benghazi, and now a security team made up of men from different military branches have to defend their base and try to piece together how this was allowed to happened.
It is genuinely hard to critique a film like 13 Hours. No matter how bad or good it may be, at the back of your mind sits the acknowledgment that the events that are depicted on screen have actually occurred. The objectives of war films like 13 Hours and recently Lone Survivor and American Sniper are to remind us that these are the true stories of brave men and women fighting for our country. And in the last 15 minutes of 13 Hours, the movie hits its goal in stride as it bridges the pain and emotions felt by the characters to their real life counterparts. This is when the movie is at its most honest and impactful. After watching nonstop combat for mostly the entire duration of the film, and seeing the pictures of the very men who the characters are based on, the movie stops being an action spectacle and briefly becomes a sincere tribute to those men depicted in the film. Unfortunately, these emotions are not always present.
Throughout cinema’s history, there have been numerous director/actor collaborations, and when these collaborative efforts are truly symbiotic, we get some of the most memorable films and performances. Whether it is Alfred Hitchcock and Jimmy Stewart, Martin Scorsese and Robert De Niro, or Woody Allen and Diane Keaton, these types of director/actor pairs have made some of the most iconic films of the last century. Now, it appears that we have another director/actor collaboration in the making. While it is way too early to even mention this new pair in the same sentence as the examples above, it feels like this new cinematic relationship can develop into something exciting and unforgettable.
This new pair is of course writer and director David O. Russell and America’s favorite star Jennifer Lawrence. They have made two films already, Silver Linings Playbook and American Hustle, and their third effort is opening up on Christmas day. Joy is based on the life of Joy Mangano (Jennifer Lawrence)- the woman that invented the miracle mop. The film takes us on a wild journey inside Joy’s personal life as we watch Joy grow from a young, imaginative child into a strong woman who becomes the matriarch of her own business.
As I sit here and brainstorm about what I want to say about Will Smith’s new football drama, Concussion, I am currently watching the New England Patriots take on the Houston Texans. Now, the original plan was first to write about how millions of Americans- myself included- will spend every Sunday watching a full day’s worth of football for 17 consecutive weeks. In addition to Sundays, there are also Monday, Thursday, and the occasional Saturday night football games, and we must not forget about the four weeks of playoffs that ends with America’s new favorite holiday, Super Bowl Sunday. However, something happened during the game that has always been a costly price for playing this sport but has only become a prominent concern in recent years. Can you guess what it is?
The quarterback for the Texans, Brian Hoyer, left during the fourth quarter after possibly suffering another concussion (he was diagnosed with one less than a month ago). Concussions are definitely not a new risk for these players; however, understanding the actual risks of these types of head injuries are. Along with the growing concerns about the dangers of head on collisions, the National Football League is now being held accountable for the player’s safety on the field. Because of this, the league has enforced a more extensive concussion protocol; however, concussions have not been prevented. According to PBS and their “Concussion Watch”, the NFL had 171 concussions in 2012, 152 in 2013, 123 in 2014, and 166 so far in the 2015 season. It is safe to say that Concussion is being released at a pivotal time.
I am sure all of us can remember the financial crisis of 2008, but can any of us really explain what exactly happened? Do we actually know why the government bailed-out the national banks and why the housing market practically imploded? The answer is most likely no, and it is okay neither can I. So, take this opportunity now and drop what you are doing and see The Big Short. It is a brilliant indictment of the financial systems of America and allows you to see what exactly the banks did and got away with.
The Big Short, which is based on Michael Lewis book The Big Short: Inside the Doomsday Machine, follows a group of outsiders that were able to predict the build-up and eventual collapse of the financial and housing bubble. More specifically, the film follows Dr. Michael Burry (Christian Bale), Jared Vennett (Ryan Gosling), Ben Rickert (Pitt), and Mark Baum (Steve Carell) as they all begin to take on the big banks and prove that the most stable investment, the housing market, is destined to blow.
In the last decade or so, the great Tina Fey and Amy Poehler have become one of our most beloved and celebrated comedic actresses and duos. This great team has been close friends for 20 years after meeting at Chicago’s ImprovOlympic, but they first cemented their place in popular culture and TV history in 2004 when the duo became the first female co-anchors of “Weekend Update” on Saturday Night Live. That same year also proved to be productive for the both of them on the big screen.
Tina Fey wrote the screenplay for the Lindsay Lohan led Mean Girls, which also featured Poehler. Fast forward to a couple of years after they left SNL (Tina in 2006 and Amy in 2008), Fey and Poehler both went on to star in two of NBC’s most successful sitcoms of the 2000s, 30 Rock and Parks and Recreation respectively. However, their friendship and comedy pairing continued in other projects. In 2008, they starred in the comedy, Baby Mamma, and more recently they hosted the Golden Globes three times from 2013-2015. Now, they are returning to the big screen once again in the comedy Sisters.
**The following is a wonderful review for the new film Room, however, it does contain minor spoilers that are given away on IMDB and Rotten Tomatoes. But, if you plan on seeing this film and haven’t read anything about it, I believe it would be best to see it without knowing a thing for the best moviegoing experience – Jacob Tiranno**
Most of us typically view rooms, especially rooms in our homes, as our escape from the outside world. Whether it is the living room, the kitchen, the dinning room, or the bedroom, people can find solace in their favorite rooms. But what if, one room became your entire world? One singular room only confined by four walls is now the bane of your existence. Sounds horrifying, doesn’t it? Unfortunately, for Ma- formerly known as Joy- and her newly turned 5-year-old boy, Jack, this is their nightmarish reality.
It has been 19 years since Tom Cruise debuted as Ethan Hunt in the very first Mission: Impossible film, and with every passing sequel the franchise is still able to uphold the approach and quality that made fans fall in love with it in the first place. No matter what director is directing it, there seems to be a consistent style and progression to it that allows the series to approach new heights and success. For Mission: Impossible-Rogue Nation, Tom Cruise is teaming up with his Jack Reacher director, Christopher McQuarrie, and the two are able to create one of the most memorable additions to this series.
Mission: Impossible-Rogue Nation follows Ethan Hunt (Cruise) as he is once again determined to take on another impossible mission. After learning that the IMF (Impossible Mission Force) is getting shut down, Hunt goes rogue in order to take out the mysterious Syndicate before it takes out him and his remaining team. Along the way, Hunt meets possible double-agent Ilsa (Rebecca Ferguson) and the two form an unlikely friendship that could prove costly for Hunt and his team.
In 2004, HBO premiered a series that was loosely based on Mark Wahlberg and his experiences when he and his childhood friends moved to Hollywood. Show-runner, Doug Ellin, took this loose association and applied it to his New York background, and created the show, Entourage. It became a well-received show that showcased the loyalty of friends in the presence of all the glitz and glamour that Hollywood has to offer. In its eight seasons, Entourage racked up 26 Emmy nominations and 6 wins. What Sex and the City meant for women, Entourage meant for men. So, it is no surprise that 4 years after the show ended it is following in Sex and the City’s footsteps, and is releasing a feature-length film in the theaters.
Entourage follows movie star, Vince Chase (Adrian Grenier), and his best friends, Eric (Kevin Connolly), Turtle (Jerry Ferrara), Johnny Drama (Kevin Dillon), as they try to live out the largest dreams in Hollywood. Wanting girls, money, and fame the boys will stop at nothing to achieve their goals-that even means taking on a risky movie project with their frequent business partner, Arie Gold (Jeremy Piven). This movie, which is also Vinnie’s directorial debut, can be the one project that could make or break all of them.
Hollywood has always seemed to find a way to give cinephiles a steady diet of disaster films even dating back to beginning of the 20th century. However, this genre only became highly successful in the 1970s. During this decade, the disaster film genre grew to mainstream prominence thanks to films such as Airport (1970), The Poseidon Adventure (1972), Earthquake (1974), and The Towering Inferno (1974). Then in the 1990s this genre experienced a great resurgence, which contained films that still managed to feature the courageous hero fighting against tragedy and human cowardice.
However, these films also began to put more emphasis on the destruction aspect thanks to the rapid improvements in special effects. These films include Independence Day (1996), Volcano (1997), Deep Impact (1998), and Armageddon (1998). Also one can even include the romance heavy, winner of 11 Academy Awards, Titanic (1997) into this genre. Without a doubt, this genre has produced a solid amount of great films that to this day still continue to provide high quality entertainment. Unfortunately, in recent years this genre has been everything but epic. This last decade plus has seen a lot of flops in this genre, which has led to this genre being devalued. Films like 2012 (2009) and Into The Storm (2014) have definitely done a disservice; however, we may be at the beginning of another revival.